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Incorrigibles and Innocents
Nominated for Eisner Award | Winner of the 2018 Ray and Pat Browne Award | Winner of the Charles Hatfield Book Prize from the CSS Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids and Winsor ...
The Routledge Introduction to American Comics
This accessible, up-to-date textbook covers the history of comics as it developed in the US in all of its forms: political cartoons and newspaper comic strips, comic books, graphic novels, minicomics, and webcomics. Over the course of its six chapters, this introductory textbook addresses the artistic, cultural, social, economic, and technological impacts and innovations that comics have had in American history. Readers will be immersed in the history of American comics—from its origins in 18th-century political cartoons and late 19th-century newspaper strips to the rise of the wildly popular comic book, the radical, grassroots collectives that grew out of the underground comix movement of...
History of the Humane Society of the Commonwealth of Massachusetts
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Rites and Passages
This book contributes to what has recently been called a 'new social history of seafaring'. This new maritime history places sailors themselves at the center, not the periphery, of the maritime past, and explores ways that the history of the sea and the history of the shore have intersected. It differs from traditional accounts which celebrate exotic trades, powerful merchants, maritime technologies, and military exploits. Drawn on the evidence of nearly two hundred ship logs and sailors' diaries, Rites and Passages examines American whalemen at the height of the whaling industry in the 1800s and argues that whaling life and culture was shaped by both the American mainland and by the exigencies of ocean life. Unlike other published accounts of seafaring, this work brings gender into the maritime equation, not only with a discussion of the ways that women figured in this male world, but also with an examination of the ways that seafaring served as a rite of passage into manhood.
From Comic Strips to Graphic Novels
This essay collection examines the theory and history of graphic narrative as one of the most interesting and versatile forms of storytelling in contemporary media culture. Its contributions test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work’, consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology. This is the revised second edition of From Comic Strips to Graphic Novels, which was originally published in the Narratologia series.
The Grant Family
Matthew Grant (1601-1681) and his family emigrated from England to Dorchester, Massachusetts in 1630, and in 1635 moved to Windsor, Connecticut. He married twice (once in England, once in Windsor). Descendants lived throughout the United States and elsewhere. Includes genealogy of President Ulysses S. Grant (1822-1885).
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