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Brooklyn's Central Library
Brooklyn, New York, is home to the Brooklyn Public Library, the fifth-largest library system in the United States, with 60 neighborhood branches serving the 2.5 million residents of the borough. The Central Library--the main hub of this far-reaching institution--has, for 75 years, occupied a prime triangle of land at Brooklyn's Grand Army Plaza. Originally proposed in 1888, the unique Art Deco building with an "open book" design was not completed until 53 years later in 1941. Since then, the library has seen millions of eager readers pass through its iconic gilded doorway. While the technologies of learning have changed dramatically in the years since the Central Library opened, the mission of the institution remains the same--to ensure the preservation and transmission of society's knowledge, history, and culture, and to provide the people of Brooklyn with free and open access to information for education, recreation, and reference.
Brooklynites
Meet the Black Brooklynites who defined New York City’s most populous borough through their search for social justice Before it was a borough, Brooklyn was our nation’s third largest city. Its free Black community attracted people from all walks of life—businesswomen, church leaders, laborers, and writers—who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the lives of these remarkable citizens and con...
How Public Libraries Build Sustainable Communities in the 21st Century
Public libraries, through their mission, vision, and position in the community, play a significant part in building community sustainability and are already positioned to serve as a “backbone support organization” for collective impact initiatives.
Zinc Sculpture in America, 1850-1950
Introduced in the United States as a new material for statuary in the mid-nineteenth century, zinc has properties that allowed replication at low cost. It was used to produce modestly priced serial sculpture displayed throughout the nation on fountains, public monuments, and war memorials. Imitative finishes created the illusion of more costly bronze, stone, or polychrome wood. This first comprehensive overview of American zinc sculpture is interdisciplinary, engaging aspects of art history, popular culture, local history, technology, and art conservation. Included is a generously illustrated catalogue presenting more than eight hundred statues organized by type: trade figures and Indians, g...
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