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The Future Imaginary in Indigenous North American Arts and Literatures
This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis’s "future imaginary" as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures.
Weird Westerns
"Weird Westerns is an exploration of the hybrid genre of the weird western, analyzing movies, TV shows, and comic books such as Django Unchained, The Walking Dead, and Wynonna Earp"--
Count it All Joy
This book, Count It All Joy, covers more than fifty years of my life and ministry for our Lord and Savior Jesus Christ. Only Cliff Barrows and George Shea preceded me as Billy Graham's evangelistic team members. Some might comment that I have tried to write a biography of Billy instead of myself, which is not the case. But it still remains that my service for Christ cannot be understood apart from my friendship with Billy. My oldest brother, T.W., and I have known Billy for a half-century. That's a long, long time. Here is my feeble attempt to chronicle that journey from my teen years in Charlotte to the present. I have included so much about Billy because my life has intertwined and meshed with his. From 1947, when Billy, Cliff, Bev, and I conducted a meeting in Charlotte, we have had a virtually unbroken relationship. Admittedly, during the last fifteen years I have conducted more and more of my own crusades and have participated in fewer of Billy's. - Preface.
Enacting Nature
This volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance. It focuses on the ways in which Indigenous playwrights from North America and Oceania depict the human link with Nature in today's global age.
The Fictions of Stephen Graham Jones
Even as Stephen Graham Jones generates a dizzying range of brilliant fiction, his work remains strikingly absent from scholarly conversations about Native and western American literature, owing in part to his unapologetic embrace of popular genres such as horror and science fiction. Steeped in dense narrative references, literary and historical allusions, and experimental postmodern stylings, his fiction informs a broad array of literary and popular conversations. The Fictions of Stephen Graham Jones is the first collection of scholarship on Jones’s ever-expanding oeuvre. The diverse methodologies that inform these essays—from Native American critical theory to poststructuralism and gothic noirism—illuminate the unique complexity of Jones’s narrative worlds while positioning his works within broader conversations in literary studies and popular culture. Jones challenges at every turn the notions of what constitutes Native American literature and what it means to be a Native American writer. Contributing editor Billy J. Stratton foregrounds these heavily contested questions and their ongoing relevance to readers and critics alike.
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