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Good news, Russell Howard fans! It's time to take a butcher's into the mad, rib-tickling, insane yet lovable world of the one of the UK's favourite comedians. Abi Smith heads deep into the West Country to discover how people from as far as Midsomer Norton, Somerset to Minneapolis, USA fell in love with this energetic, mesmerising, boyishly blond Bristolian. How exactly has Russell, the kid who used to sleep with his underpants on his head in an effort to cure his acne, become the geezer who is now headlining shows at the O2 Arena, Wembley and the Royal Albert Hall? How has the timid boy who wouldn't speak at family gatherings because he was too shy become a TV panel-show heavyweight? How has...
Identifies approximately one thousand markets for Christian writers, including book publishers and periodicals, each with contact information and submission guidelines, and includes listings of literary agents, poetry, greeting card, music, and photography markets, and contests.
Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature inthe field.
Less than a decade after the advent of democracy in South Africa, tabloid newspapers have taken the country by storm. One of these papers -- the Daily Sun -- is now the largest in the country, but it has generated controversy for its perceived lack of respect for privacy, brazen sexual content, and unrestrained truth-stretching. Herman Wasserman examines the success of tabloid journalism in South Africa at a time when global print media are in decline. He considers the social significance of the tabloids and how they play a role in integrating readers and their daily struggles with the political and social sphere of the new democracy. Wasserman shows how these papers have found an important niche in popular and civic culture largely ignored by the mainstream media and formal political channels.
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