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Images of War in Contemporary Art
In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
Film and the Natural History of Destruction
Film and the Natural History of Destruction explores the interface between film, memory and ecological thought. It addresses several areas of crucial importance for contemporary film and media studies: biopolitics and ecological catastrophe, cultural memory and film in the Anthropocene, media archaeology and the environmental humanities and, of course, the abiding relevance of Walter Benjamin’s work for critical theory and film studies. Benjamin’s essays on media and modernity have long been regarded as important texts for film studies. The concept of natural history, however, remains a neglected tool in Benjamin’s critical arsenal yet may provide a valuable theoretical resource for an...
Liberating Histories
Liberating Histories makes an original, scholarly contribution to contemporary debates surrounding the cultural and political relevance of historical practices. Arguing against the idea that specifically historical readings of the past are necessary or are compelled by the force of past events themselves, this book instead focuses on other forms of past-talk and how they function in politically empowering ways against social injustices. Challenging the authority and constraints of academic history over the past, this book explores various forms of past-talk, including art, films, activism, memory, nostalgia and archives. Across seven clear chapters, Claire Norton and Mark Donnelly show how a...
Constructions of Media Authorship
The author is dead, long live the author! This paradox has shaped discussions on authorship since at least the 1960s, when the dominant notion of the individual author-genius was first critically questioned. The ongoing discussion has mainly focused on literature and the arts, but has ignored nearly any artistic practice beyond these two fields. “Constructions of Media Authorship” aims to fill this gap: the volume’s interdisciplinary contributions reflect historical and current artistic practices within various media and attempt to grasp them from different perspectives. The first part sheds a new light on different artistic and design practices and questions the still dominant view on...
Theories and Documents of Contemporary Art
An essential text in the field of contemporary art history, it has now been updated to represent 30 countries and over 100 new artists. The internationalism evident in this revised edition reflects the growing interest in contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
Kentucky Ponders
Robert Ponder (ca.1786-ca.1857) moved from South Carolina to Madison County, North Carolina, and married Elizabeth Holcombe before 1812. "Why Kentucky Ponders when they were born and raised in the Caro- linas? Because all 3 brothers, Robert, John & Joseph once lived in Kentucky ... [and] the majority of Ponder offspring once lived in or still do live in Kentucky." Descendants and relatives of Robert, John and Joseph lived in North Carolina, Tennessee, Kentucky, Ohio, Indiana, Illinois and elsewhere. Includes United Baptist church membership roll, 1877-1915, for Union County and Rockcastle County, Kentucky (including many Ponder surnames).
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