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The Invisible Art of Film Music
Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film musi...
Transmedia Directors
Transmedia Directors focuses on artist-practitioners who work across media, platforms and disciplines, including film, television, music video, commercials and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices – through film and television (with its potential for world-building and sense of the past and future), music video (with its audiovisual aesthetics and rhythm), commercials (with their ability to project a message quickly) and the internet (with its refreshed concepts of audience and participation), to larger forms like restaurants and amusement parks (with their materiality alongside today's digital aesthetics). These directors encourage us to reassess concepts of authorship, assemblage, transmedia, audiovisual aesthetics and world-building. Providing a vital resource for scholars and practitioners, this collection weaves together insights about artist-practitioners' collaborative processes as well as strategies for composition, representation, subversion and resistance.
Film Music in the Sound Era
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Wes Anderson All the Films
This deep dive into the world of Wes Anderson mines the details of the making of every feature-length movie and short film from the beloved director. The films of Wes Anderson are among the most iconic contemporary works of cinema. From Rushmore and The Royal Tenenbaums to The Grand Budapest Hotel and The French Dispatch, his movies are instantly recognizable for their highly stylized visuals, meticulous symmetry, idiosyncratic characters, and offbeat humor. Organized chronologically and covering every short film and movie that Wes has ever directed, Wes Anderson All the Films draws upon years of research to tell the behind-the-scenes stories of how each project was conceived, cast, and produced. The book explores his unique filmmaking style, his use of regular cast members like Owen Wilson and Bill Murray, recurring themes, and the visual and narrative elements that have made him a cult favorite in the world of cinema. Featuring hundreds of vivid photographs that celebrate one of film's most iconic artists, this authoritative guide will delight all Wes Anderson devotees and movie lovers in general.
Portapotty Run
On a beautiful day many years after the mass extinction of all human beings, Gub the Cowboy decides to take a ride through the desert. Gub the Cowboy is a Practical Forecaster, a superbeing that is virtually invincible. Nearly all of the inhabitants of Earth (now renamed Practical Planet by the omnipotent overlord Happy Cloud) are. However, when Gub’s ride goes awry and he accidentally unleashes a sentient outhouse with the power to turn Practical Forecasters into hollow, sickeningly dapper shadows of their former selves, he is catapulted into a lifestyle of complete insanity as he simultaneously tries to evade the Portapotty and save his brother from its foul clutches. Making both friends and enemies at every turn, Gub soon finds himself stuck in an adventure that he didn’t really want, surrounded by Forecasters that he doesn’t really know. As the plot thickens and the reach of the Portapotty grows ever longer, Gub is forced to contemplate his own invincibility and wonder if there are things worse than death if one can never die.
Statues (from Harry Potter and the Deathly Hallows, Part 2)
Iconic composer Alexandre Desplat impresses once again with this enchanting piece from Harry Potter and the Deathly Hallows Part 2, set in a very accessible key for all pianists.
The Twilight Saga - New Moon (Songbook)
(Piano Solo Songbook). Piano solo selections from the haunting score by Oscar-nominated composer Alexandre Desplat. Desplat is highly regarded and the winner of numerous awards including 2008's "Film Score of the Year" & "Best Original Score for a Drama Film" by the International Film Critics Association for The Curious Case of Benjamin Button , winner of the 2007 Golden Globe for "Best Original Score" for The Painted Veil , and two-time Academy Award Nominee ( The Queen & The Curious Case of Benjamin Button ). With even more anticipation, a growing fan base, and an award-winning/critically-acclaimed composer, Twilight: New Moon Score is a must-have companion to the movie experience.
Twilight: New Moon - the Score
(Big Note Songbook). Big-note piano arrangements of 14 selections from the haunting score by Oscar-nominated composer Alexandre Desplat. Includes: Adrenaline * Almost a Kiss * The Cullens * Dreamcatcher * Edward Leaves * Full Moon * I Need You * Marry Me, Bella * Memories of Edward * New Moon (The Meadow) * Romeo & Juliet * To Volterra * Volturi Waltz * You're Alive.
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